Kokoschka used the doll as a model for her painting, and hired a full-time housekeeper for her and went with her to the theatre and other parties. There was speculation as to the extent to which their relationship was intimate. He employed servants and his friends to spread gossip about the doll, and media gleefully reported the tales. The most famous and infamous incident happened when Kokoschka murdered the mini sex doll during the party, and then served red wine to her. The next day, the police spotted what they believed to be an unidentified corpse in the garden and rushed into the house to take him into custody.

Would Kokoschka be more content with the real-life dolls available? In the 90's, artist Matt McMullen created a realistic female model made of silicone. He documented the process on his site. The site was bombarded with inquiries about whether it was anatomically correct. Even though it wasn't the case, McMullen realized there was an opportunity to make money and started creating his Sex Doll to order. There are many companies that can create a exact replica of someone's body if you supply photos and measurements. They're equipped with real eyes, glass eyes synthetic flesh, artificial intelligence-based personalities and react to commands from voice, and more than 100 sensors dotted throughout their bodies. With the most recent 3D modeling techniques that can create laser-scans and an exact human body The perfect replica is in your grasp.

The ideal doll to accompany Kokoschka? I doubt it. In her essay the Oscar Kokoschka Sex Toy, Bonnie Roos exposes that Kokoschka saw his mannequin as an art work. He created, designed, and utilized it as a work performing art. After the incident with the doll, Kokoschka was appointed as Professor at Dresden Art Academy, a position that demanded a amount of responsibility, human administration and documentation. The governors would never choose someone with a criminal record. They were aware how the sex doll torso were a part of his artistic plan. They also understood the long-standing relationship between mannequins and artists starting from the Renaissance all the way the time of Manet, Renoir and Degas. Mannequins and puppets were also featured prominently in the current Dada along with the Surrealist movements. It's also fascinating that Alma touchedly offered Kokoschka create a replica of her in order to alleviate his frustration over her disappearance.

Kokoschka was hoping to boost his fame and fame. The doll worked. Now 100 years more later, still arguing about the matter. Not crazy but shrewd.